Thursday, September 14, 2017

Serendipity in Siricusa

So, this just happened. Really, it did. I’m typing this sitting on the floor near the front doors of Catania airport, in Sicily, because they won’t let us check our luggage until two hours before the scheduled flight time (the flight is already an hour late). And I’m so excited I got out my laptop. When I get wifi I’ll post this, and then I’ll really start writing.
I’m in Sicily, which is more or less insane. We scheduled this trip—which is actually a golf trip organized by the association for which my husband rates golf courses—way before I knew I’d have a book tour starting September 28th or that my Egypt manuscript due September 27th. Even knowing how full my September would be, my progress on the new book this summer was slow. I love summer and my girl was home, and I wanted to have fun. Also it was the first time in five years I was writing from a point-of-view other than my beloved Ada’s, and that was difficult. Also everything was a hot mess, as is usual with first drafts. Sometimes it’s hard to keep going when you know what you’ve written so far is shite.
So. Challenged by my friend Dan Gutman to make an audacious goal and achieve it, I joined the September Squad, with the goal of either 50,000 words or a finished draft by the end of the month (If I’ve got 50,000 words and I’m still not finished, the book is much more complex than I thought). I was plugging along happily until I hit this trip. I brought my laptop and my manuscript, but then I’d think—I could write today, or I could explore the Sicilian countryside on horseback, and I picked horseback, and learned what olive groves look like, young and old, and about wild fennel and wild thyme and the exact shade of the Mediterranean Sea, and then I bought a bikini and it’s not like I’m not taking the book seriously, it’s just that I’m not sure I’ll ever be in Sicily again. I’d be a shame to not pay attention.
Meanwhile, I’d hit a place in the Egypt book where I was really really pleased with a particular scene, and with its implications for the rest of the novel, but I was aware that I was lacking a crucial piece of background—that what I had happening needed an antecedent I couldn’t yet identify. So, that’s what first drafts are for. I kept on.
Mostly the itinerary for this trip is pre-arranged, but yesterday my husband and I looked hard at today’s proposed schedule, and thought it lacking, so we hared off on our own. Our hotel concierge suggested we would enjoy Siricusa, an ancient harbor. We arranged for a driver to take us there and then become our tour guide and show us the highlights. Unfortunately the driver we got didn’t speak any English and had never been to Siricusa at all. He got comprehensively lost in the ancient town, driving in circles the wrong way on streets designated pedestrian-only. He stopped several times to ask other Italians for directions. Finally he just stopped the van, threw us out, and told us he’d come back in four hours. By that time we whole-heartedly agreed. His meandering had shown us a basic layout of the town, and we immediately walked to the ancient piazza fronting the 7th century Byzantine cathedral which was a modification of a 5th-century-BC temple to Athena.
So that was cool. We looked at some other stuff. Then I saw a poster advertising a museum exhibit of Egyptian coffins dug up from Deir El-Bahari, which is to say the dig near Hatshepsut’s temple. So we paid five euros and went in. Turned out it was a traveling exhibition from a museum in Brussels.

Turned out it contained EXACTLY the information I needed. Two specific items. I’ve solved the plot issue and I’ve gotten a translation of an ancient source I was searching for, and it was brilliant, absolutely amazingly brilliant, and I have no idea on earth how I came to find this information about 20th dynasty papyri and ushabti in the middle of Siracusa where I hadn’t planned on visiting until yesterday. It’s all amazing. It’s beyond amazing.

So I’m ignoring the rest of my tour group to sit on the airport floor, laptop on my lap, and type this, and the others are sort of guessing that maybe I’m a writer after all. And it’s the icing on the cake, baby. The icing on the Italian cake.

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