Why We Needed Freewater

On Monday morning the Newbery award went to Freewater, a debut novel by Amina Luqman-Dawson. I'd bought the book last summer, but I didn't start reading it until this Monday afternoon, not for lack of interest, but because my To Be Read pile is threatening to overtake my entire house. I knew exactly where the book was in my stacks, and I snagged it and started reading over lunch.

This book, my friends, is exactly what a Newbery winner should be. It's also a primer in Why Everyone Needs Diverse Books. As it happens, the book may not have existed, at least not in its current form, without the work of We Need Diverse Books, a nonprofit organization founded in 2014 to address the fact that the books being published for children in this country did not reflect the diversity of the children living in this country. WNDB runs excellent mentorship and grant programs for aspiring children's writers and illustrators and for aspiring children's editors. I understand that both Amina Luqman-Dawson and her editor were part of those programs, which absolutely delights me. 

It's vitally important that all children see themselves in the pages of the books they read. When I spoke at Southern Festival of Books a few years back, my daughter and I also spent some time working in the Parnassus Bookstore tent, both out of the goodness of our hearts and because they gave us a hefty discount in exchange. My daughter saw a little Black girl walking past a line of picture books suddenly stop and say, "Mama, look! This girl has hair like mine!" She patted the cover illustration of book showing a little Black girl with tightly curled hair. Her Mama stopped and smiled and acknowledged the likeness. "What's the book called?" the little girl asked. "It's called 'Beautiful,'" her Mama said, and the child beamed.

But diverse books aren't just important for diverse (non-white, non-straight, non-cis, disabled, etc.) readers. Telling stories from different points of view builds empathy and understanding in all of us. That sounds very highbrow--here's what I mean. Freewater takes place within a community of formerly enslaved people (and some freeborn children) living hidden in the Great Dismal Swamp. I already knew the difference between describing someone as a slave and describing them as an enslaved person. 'Slave' seems to indicate something immutable; 'enslaved boy' tells you that the condition has been imposed on the boy by someone else. 'Enslaved person' centers the personhood.

In Freewater, Amina Luqman-Dawson uses the phrase "enslaved soul." 

Think about that for a moment. Think about the difference between an enslaved man and an enslaved soul. It's subtle, but it's very, very real. Enslaving someone's soul feels far more devastating. It's a much more powerful phrase. And it's not one that ever occurred to me, even though I wrote a book about enslaved souls that at the time garnered very positive reviews. My book didn't win awards; for the first time, I'm glad. 

I'm changed by reading Freewater. Hallelujah. You go read it, too.