It's eclipse day, but before that I need to do laundry. Also buy new tires, ride my horse, return my overdue library books, buy feed, and--oh yeah--write my novel.
My husband is an eye surgeon. He wishes the eclipse were not happening. He has been fielding what he considers Stupid Eclipse Questions for the past few weeks, and here's his answer, put concisely:
Don't look at it.
He says, watch it on TV, which I find ludicrous. Thing is, I've hung out in a partial eclipse before, and it was really interesting. The light got thinner. It wasn't like sunset at all. And if I recall, it was about a 70% eclipse, whereas today, on my farm, it will be 96%.
I wouldn't have to go far to experience totality--the other side of Knoxville, or down to Greenville, SC--about 2 1/2 hours driving, so five hours round trip. I've been balancing the idea of five hours solo in a car with 4% more eclipse--staying home won. I'll sit on my porch and enjoy the eclipse without looking at the sun, which is the important part--not to look at the sun. I didn't buy eclipse glasses and given my husband's attitude probably wouldn't risk them anyhow. And no, I have it on very good authority that regular sunglasses are not the same.
Meanwhile I've got to go fetch my truck, which is getting 6 new tires, hitch my trailer to it, and take the trailer in for 4 new tires. That's a lot of tires, and the old ones still have plenty of tread. However, they also have dry rot. The truck is 16 years old, the trailer 15, and this will be the third set of tires for both.
Also my novel. It's such a hot mess, and the first draft is due September 27th. I spent the last few days doing needed research--I usually write, figure out what I need to research, research, rewrite, on an infinite loop--and taking notes on 3 x 5 index cards. I just arranged those cards chronologically so that now I have a plan, more or less, for the entire scope of the book. But some of the cards are less useful than others. One says, "October." That's it. October. I have no idea what I was thinking there.
In the paper this morning there was a letter to the editor saying that the eclipse was a warning from God. The writer pointed out that in a few years, the next eclipse will run across the country diagonally the other direction, thus marking the United States with a great big X for God to aim at. It would be a more interesting idea if the eclipses hadn't been able to be predicted long in advance, so that everyone knows when they're happening. It's a lot like calling the vernal equinox or even the sunset a warning from God: might be, but then, so might sunshine or rain or dry rot on my tires. I have always believed that religion and science comfortably co-exist.
My first index card for the Egypt book, the one on the top of my story pile, reads, "What is art but freedom of expression?" That's not from any book I read. It's from my trip to Egypt, when one of our tour guides was showing us a small statue from a long-opened tomb. It showed a baker, kneading bread, with a thoroughly exasperated look on his face. The statues of the pharaohs (except Ankhenatun, the heretic) and those of the ancient Egyptian gods all conform to certain ritual forms and proportions, but the statue of the baker was fully intransigently human. It was perhaps my favorite thing in all of Egypt: what is art but the freedom to tell the truth?
My husband is an eye surgeon. He wishes the eclipse were not happening. He has been fielding what he considers Stupid Eclipse Questions for the past few weeks, and here's his answer, put concisely:
Don't look at it.
He says, watch it on TV, which I find ludicrous. Thing is, I've hung out in a partial eclipse before, and it was really interesting. The light got thinner. It wasn't like sunset at all. And if I recall, it was about a 70% eclipse, whereas today, on my farm, it will be 96%.
I wouldn't have to go far to experience totality--the other side of Knoxville, or down to Greenville, SC--about 2 1/2 hours driving, so five hours round trip. I've been balancing the idea of five hours solo in a car with 4% more eclipse--staying home won. I'll sit on my porch and enjoy the eclipse without looking at the sun, which is the important part--not to look at the sun. I didn't buy eclipse glasses and given my husband's attitude probably wouldn't risk them anyhow. And no, I have it on very good authority that regular sunglasses are not the same.
Meanwhile I've got to go fetch my truck, which is getting 6 new tires, hitch my trailer to it, and take the trailer in for 4 new tires. That's a lot of tires, and the old ones still have plenty of tread. However, they also have dry rot. The truck is 16 years old, the trailer 15, and this will be the third set of tires for both.
Also my novel. It's such a hot mess, and the first draft is due September 27th. I spent the last few days doing needed research--I usually write, figure out what I need to research, research, rewrite, on an infinite loop--and taking notes on 3 x 5 index cards. I just arranged those cards chronologically so that now I have a plan, more or less, for the entire scope of the book. But some of the cards are less useful than others. One says, "October." That's it. October. I have no idea what I was thinking there.
In the paper this morning there was a letter to the editor saying that the eclipse was a warning from God. The writer pointed out that in a few years, the next eclipse will run across the country diagonally the other direction, thus marking the United States with a great big X for God to aim at. It would be a more interesting idea if the eclipses hadn't been able to be predicted long in advance, so that everyone knows when they're happening. It's a lot like calling the vernal equinox or even the sunset a warning from God: might be, but then, so might sunshine or rain or dry rot on my tires. I have always believed that religion and science comfortably co-exist.
My first index card for the Egypt book, the one on the top of my story pile, reads, "What is art but freedom of expression?" That's not from any book I read. It's from my trip to Egypt, when one of our tour guides was showing us a small statue from a long-opened tomb. It showed a baker, kneading bread, with a thoroughly exasperated look on his face. The statues of the pharaohs (except Ankhenatun, the heretic) and those of the ancient Egyptian gods all conform to certain ritual forms and proportions, but the statue of the baker was fully intransigently human. It was perhaps my favorite thing in all of Egypt: what is art but the freedom to tell the truth?
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